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Daniella Isamit Morales is a Chilean–Venezuelan artist, musician and DJ who was born in Caracas, Venezuela in 1982. Morales' work has been shown at Pulse Miami Contemporary Art Fair〔(ArtCards Article on Miami Basel )〕 and Lucie Fontaine Gallery/art employer in Milan. ==Themes and works == Morales's practice is focused on the notion of identity and how this notion can be stretched, redefined and de-structured. Her projects are often characterized by controversy, as many artworks document different research based on topics like authorship, fiction, signature, identity, disappearance, shifting personality and public persona in relationship to media, whether they are an act of confession from her adolescent fantasies or the concept of beating hired men, the latter bringing her unexpected fame in the Italian tabloid media in addition to the self-proclaimed therapy.〔(Bio from Start Point Prize )〕 === Vecchio Merda Danzband === She is one of the members of Vecchio Merda Danzband,〔(Article about Vecchio Merda Danzband in Art *Texts *Pics )〕 an all-female group of artists consisting of Lia Cecchin, Lindsay Benedict and Lisa Perrucci, which is a weekly meeting with changing projects in music, dance, cooking, videos, intervention, games, walks, and other media.〔(HyperAllergic article with snapshot of Vecchio Merda performing )〕 Depending on the cycle of the moon, Vecchio Merda Danzband fluctuates in medium but always mines heartbreak culture. Precariously formed in Turin, Italy in 2012, they were commissioned by Centrale Fies to perform a traditional-style concert. With their lack of technical expertise but wealth of enthusiasm, they created melancholic songs, instructional dance steps and purposeless karaoke for the SUPERLIKERS concert.〔(Documentation of Vecchio Merda Danzband's concert at Centrale Fies )〕 The core members speak in three different languages and through the struggle to communicate, surprises, mistakes and magic are made. This perilous structure is coupled with their determination to explore the emotionally disruptive actions of love that forces a slowing down of industrial time. Typically, VMDB artworks fight to amplify relationships towards deeper intimacies and stimulate renegotiations of attachments. Love, being the Danzband's main theme, can be a real modifier of ideology and an a/effective way of stimulating political movement. A broken heart can slow down productivity in a capitalist system. For this reason, the Danzband sees value in instability, crises, and resistance. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Daniella Isamit Morales」の詳細全文を読む スポンサード リンク
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